Monday, January 15, 2007

Crown 'em

Happy Martin Luther King day.

In celebration, I'm going to Phoenix with some of my friends. Wanna tag along?
So, lemme get this straight: A man dedicates his life to the practice of non-violence to turn on the conscience of a nation. Not everybody honors his legacy. And here's a song by people who say that they'll honor his legacy by threatening the life of ignorant law-makers.

Only in America.

Turn a cheek. You just might save a life.

Friday, January 05, 2007

Marble ceiling

I don't know much about the new Speaker of the House, Nancy Pelosi. Yet, in terms of how sexually segregated the United States is (certainly in terms of power positions), I wish her all the best.

But to say that she's the most powerful woman in the legislature may be a just a bit underwhelming, considering Newt Gingrich's claim some 14 years ago. He claimed that the Speaker of the House - who sets the agenda for the largest legislative body (after all, for all the revisionist talk, neither the Supreme Court nor the President can actually make laws) in the most powerful nation in the world - is arguably the most powerful person in politics.

And then he proved it - for better and for worse. 

Here's to hoping Pelosi can cause some damage.  But in a positive, reinforcing way.

Thursday, January 04, 2007

Does Lex Luthor know about this?

This either missed Kansas by a couple thousand miles...


or it's astronaut poop.

Either way, someone should inform the Superfriends.

Wednesday, January 03, 2007

Hardly on schedule / but always on time

On the second listen, I'm liking Nas' tribute/memorial to his culture, Hip Hop Is Dead. Like the Transformers, it's more than meets the eye. I regret that only now is someone at the top proclaiming the same message that backpackers and undergrounds have been ripping for well over a decade now. Yet, having Snoop over for another spit, exhorting to "Play on Playa", adds a level of complexity, if not stupidity. Same could be said for guest producer /-rapper / Michael Jackson pal / Fergie discipler Will. I. Am on the title track. (Who lays out a leftover beat from BEP's Elephunk.)

In this day of cannibalistic music trends (where, again, barely-talented teens with nothing to say run and ruin the urban radio) Nas, like Nat King Cole, wants to be remembered as "Unforgettable" too. Nas seems to want to eat and heave his cake.

Yet, for all his sparse beats, Nas ends on an a capella "Hope", with a female Greek chorus sounding out that "Hip hop will never die." "You a hustla' / you ain't a rapper / get ya paper / but this s*** is real." Even his laugh seems to condemn his old rival, now executive producer and guest MC Jay-Z (who guests on the conscience-tweaking "Black Republicans" where both boast about their money, power and connections while reflecting what that means for them as Black Americans - as well as what it means as mainstays, tops and power-brokers in the cannibalism.)

The chorus ends in a cypher-praying against the wind of radio and and self-destructive trends:

"I pray hip hop stay / live, hip hop, live / give, hip hop, give..."

Tuesday, January 02, 2007

The state of grace, pt. 1

There's a lady at my church that doesn't act much like a lady. At least, in regards to me and - therefore - in my estimation. In a few instances, she has very openly assaulted my character, once to me a few years ago, once to a close friend about a year ago and then again to my face less than a year ago (after we got back from a church retreat, wherein, she confessed, her opinion of me hadn't changed) and then again last week, indirectly, to my wife.

My opinions of her opinions (and, of course, extending to her) were pain-stricken and grievous. Each attack of hers (save the last one to me) brought great defense from great and well-meaning people who gave great testimonials on behalf of my character (which, I must admit, isn't always so great, but certainly not worthy of trashing). Each attack also hurt and infuriated me, to various degrees.

My conundrum raises in this topic, this key turning point of human relationships, this sphere where Jesus meets geopolitics meets the common man meets the hard heart meets the Middle East meets Northern Ireland meets Auschwitz meets the cross: forgiveness.

As little as my church puts into liturgy (sometimes much to my chagrin), in our practice of the Lord's Supper we find one important and oft-repeated rule spotted and highlighted by our pastor. If you have bitterness or unforgiveness or hatred in your heart directed at a fellow worshiper (and by this he explicitly means someone in our small church), before you take this cup, go to them and make it right.

On one of these ocassions, she eyes me, slowly makes her way up some five steps and leans to me. She confides that she never much cared for me or trusts in me (but she doesn't know why), that she had actually prayed against me (!!) and that during a recent church leaders' retreat, she didn't gain any new confidence in me.

I didn't know I was on trial.

And I didn't know (and really still don't know - nearly a year later) how to handle that. She didn't ask for forgiveness. She didn't offer it. If anything, it was opportunity for a fresh wound, a tearing of the flesh on an old knee-scraper I hadn't really considered since I originally hit the ground. So, I leaned to my friend, a big burly dude, and just flooded his shoulder with my tears. He still doesn't know what it was all about. Then again, neither do I.

This memory was violently returned a little while ago, when the same opaque charges were made against me to my wife.

I have a student at my school who does not act much like a student. From every appreciable view, he does not come into the scholastic setting to learn, to better himself, his options or his surroundings. He also does not come into the classroom to even pass time (which, unfortunately, is what many of our students do do).
He comes - from everything that I can sum up - to disrupt. Actually, to be the center of attention.

And since I am his teacher (and understandably have a desire to be that center myself) we are often at odds, often butting heads and comments. It's a grand and vulgar chess game that we play.

And I want to believe in him as much as I want to believe that every student can and should learn. I just believe he doesn't want to - he's not convinced that it is right for him, not at this stage in his life. And in the meantime, anyone who dares get in his way is his exasperated victim.

Being one of his teachers, I see him five days a week for an hour and a half a piece. His classmates, on the other hand, are surrounded by his anxious (and usually destructive and self-serving) energy for approaching five hours five days a week.

But I'm the one in power, if tenuously. And, I'm white (although he knows that I'm partially Latino). So, I'm a racist to him. Never mind that that label goes against every fiber of my being. Never mind that I've spent countless hours examining my heart and my nation's fiber in dealings with race relations. I know I should ignore it. I know that he's merely trying to goat my herd. But it hurts at a level deeper than nearly any other label can hurt. And he consistently does it.

What do I do with people that constantly hurt and then act as if they've been victimized? I know that I'm not perfect in my actions or reactions to them, but should I allow such things to be as if it's the natural and right way to interact? Should I forgive those who don't lament or acknowlege their evils? Should I continually and blindly turn my cheeks, to the extreme that my flesh may be worn and torn from my puffy face?

If you like the Beatles, then you would like TV on the Radio

I'm just getting around to listening to some late editions - possible contenders for my list of favorite albums of 06.

Tell me what you think. Anybody out there big fans - or detractors - of:

  • TV on the Radio, Return to Cookie Mountain (I'm really, really digging this album.)
  • The Hold Steady, Boys and Girls in America (Despite all the hype and Springsteenyness, I'm enjoying the energy on this.)
  • Nas, Hip Hop Is Dead (O my. So much cursing.)
  • Derek Webb, Mockingbird (I mean, besides Wasp Jerky.)

  • Pigeon John, ... And the Summertime Pool Party (OK, actually this is making the list, point-blank. But I'd still like to know what people are thinking.)
  • Fred Hammond, Free to Worship (It's been too long.)
  • Bob Dylan, Modern Times (Had this one for awhile. But it's so long and meandering... Kind of like some of my posts.)
  • The Choir, O How the Mighty Have Fallen (Circle Slide is one of my favorite albums of all time. I have a fear that this won't live up. cf. Fred Hammond.)

Just about every color but yellow works

On the other hand, the new Blogger(TM) looks conspicuosly like the old.

I'm gonna try to put some current lists on the sidebar (y'know MySpace and Xanga have easier-to-update and more picturesque list features. But then again, I don't want Blogger to be MySpace or Xanga).

I'm grading. I'll post shortly. Hopefully.

Oh, Amazon listmania here.

Feel like a gaw-danged kid here...

Friday, December 29, 2006

Maybe I've got too much free-time*



These are the movies I’ve seen for the first time over the last two months, as best as I can remember them:

The Last King of Scotland. Much like the amoral, fictional and young Scottish protagonist of this story, this film lusts ‘em and burns ‘em. Which is representative of the colonialists’ approach to Africa that the movie highlights. Forrest Whitaker deserves an Oscar, if the Oscars had any balls about them. Which they don’t. So, I don’t care, except to say that his portrayal of prototypical dictator Adi Amin is brilliant, as is the Fela Kuti-inspired soundtrack.

Ice Age II: The Meltdown. I missed the first installment. Maybe I would have enjoyed it more if I had seen the first. The squirrel (what’s up with the squirrels in these anamorphic movies these days? Why are they all high-strung comic foils? And why do I fall for it every time?) and the primitive, volcano-worshiping slug tribe are easily the highlights of this meandering project.

Munich. I found this top-secret Spielberg-directed post-9/11 study on the wages of vengeance (appropriately based on a book titled Vengeance) to be more relevant to our world today than, say, United 93. No particularly riveting performance (With the sole exception of Eric “It’s the Hulk” Bana - No stars, thank goodness! I didn’t realize that Daniel Craig was the heavy until the movie ended.), only obvious and sad revelation after bloody and needless revelation.

The History Boys. It’s a good thing this gay love triangle talkie is tempered by a clash between old methods of teaching (as in, teaching for life and “burying our graves”) vs. the newer, administrative-directed and results-oriented methods (in this case, literally teaching to the test). Hence, the title’s two parts: the history of teaching history in the making and - as is the case with so much off-Broadway – boys who like boys.

It’s Christmastime Again, Charlie Brown. (Ok, technically not a movie. But as "Boondocks "creator Aaron McGruder notes, these seasonal specials aren’t made anymore.) Much like Napoleon Dynamite and the strips that this tv special was based on, most of the four-panel stories only serve as loosely-themed vignettes. Still, even though Shultz’s schtick was wearing thin by the early ‘90s (I vividly remember bemoaning the recycling a few years before his death), minor Charlie is still a giant among mortals.

Monster House. I read a review that quoted another reviewer that chastised the male executive producers (Spielberg and Zemeckis) for creating a monster that’s basically an angry woman with an angrier ummm… hole. But credit also goes to the filmmakers (of which a minority of director/producers, if memory serves, is female) to making the first animated horror film for kids that I can think of – complete with a kiddie ending that takes most of the horror out of the rest of the movie. Which, honestly, is fine by me.

Happy Feet. A cute ugly-duckling fable is ruined by a too-cute, reductionist third act. But it got the little ones in the theater on the night after Christmas: SRO some three weeks after it was released.

Hoodwink’d. Hands down, my favorite animated movie of the last year. Maybe one of the best movies I’ve seen within the last year, for sheer force of energy and comic sensibility. Maybe I was just taken in by its cleverness (and significant movie in-jokes), but much like Shaolin Soccer last year, the lack of pretentious depth and ridiculous gags just kept me in high spirits.

*Then again, maybe not...

Wednesday, December 27, 2006

It's cold outside. Why am I going out there?

Just coming back from Christmas with family. I'll be leaving shortly for a little camping excursion with the guys into the frigid and unforgiving northern midwest winter. In case I don't make it back*, these are some of the posts that I'm planning on releasing over the next week and a half:

Top 6 albums of 2006 (very little may be surprising);
A roundup of movies I've seen over the last two months;
A reflection on the overriding cynicism of Christmas/Holiday movies;
An essay on forgiving those who aren't forgiving and don't ask for forgiveness;
A book roundup of late 2006 (which may or may not turn into a Top 6 list).

*My wife and unborn Baby J get everything. Not that that's anything to brag about to anybody...

Monday, December 25, 2006

I guess L. A. Style was right...

Some fifteen years after the prophecy, James Brown is dead.

The Godfather is dead; long live the Godfather.

Everybody dance now!

I said, Hey! Evrybdy dance NOOO-ooooooooWWWW!

YEAHH! That's more like it!

In all seriousness, condolences to all. May you be the Hardest Working Man in Heaven now,

Saturday, December 23, 2006

Christmas means giving and getting - again and again and again, again

From the second Charlie Brown Christmas tv special (the one nobody watches):

Charile Brown: Would you like to buy a nice Christmas wreath?
Potential Customer: Oh, I see that you're adding to the commercialization of Christmas, Charlie Brown.
Charlie Brown: Not yet! I'm trying to.

I've always thought that the buying and giving and receiving and all that was merely a backdrop to the family gatherings, which I always found more fun and longer-lasting than the cheap RC race-tracks I used to get. I guess it's nice to think you're doing something for the ones you love, to show that maybe you know a little something about them, that maybe you're on to their tastes and sizes.

But that's hard, and we spend a lot of time in a post-Christmas blue period at the return register. So, yeah, gift cards are a necessary evil. Kind of like voting. But at least we know what stores to buy from.

P.S.
The new Over the Rhine Christmas CD, Snow Angels, is in the running for top of my year-end lists. It emphasizes best what I like about Christmas better than I can. Although every song on there is, as far as I can tell, a new composition, the songs are heavily borrowed - as in the remake of "O Little Town of Bethlehem" that becomes simply "Little Town", the Guaraldi-themed shuffle "Goodbye Charles" and several themes from earlier OtR records (such as the downward bass slides found in abundance on their masterpieces Ohio and Drunkard's Prayer and here on "All I Ever Get for Christmas Is Blue" and the rollicking uptempo numbers from DP). This mix of familiar and novel leads to a fresh nostalgia, a living memory. And really, isn't that what Christmas is all about? Isn't there something wonderful about the words "incarnation", "hark" and "glad tidings of good news"? Isn't there something wonderful in retelling old stories and making them new a hundred times?

Or is it just me?
Merry Christmas from us.

It's Christmas, Babies

Love the ones you're with.

I'm going home to do that.

Tuesday, December 19, 2006

Posting Ad Hoc Ad Nauseum, Etc

I don't know what that means.

I haven't had much of an opportunity to do blogging recently, although I've been (lazily) working on a post about grace and forgiveness for the last month plus. I keep thinking that it's going to be this masterpiece, that the world will see true genius when they read my blog. Everyone will stop their partial and close-minded bickering and, in keeping with the spirit of the wise men, offer me lavish gifts. I would, humbly, graciously and self-consciously, turn them down. Frankincense and myrrh I could do without.

Yeah, I've been reading too much David Sedaris recently. Not that there's anything wrong with that.

------

The experiment now, though (since Christmas time is upon us and students are generally more jovial and less destructive), is to read large chunks of Sedaris' Holidays on Ice. So far, so good
The truth is, though, I'm often tempted to drink from the glass on the cover while I'm reading it.

Christmas break is upon us, folks. I'll be back shortly.
Hopefully.

Sunday, December 10, 2006

Sunday Random 10 - It's Christmas. Baby, Please Come Home.

Christmas Music edition. BTW, my wife asked me to download a bunch of Christmas music. Although she really wanted the more lilly-white traditional stuff, I was able to sneak in some extras. (Without equivocation, however, the Vince Guaraldi Trio's Charlie Brown Christmas is THE epic, the paramount. All others need to bow down.)

  1. "Linus and Lucy" - Vince Guaraldi Trio - A Charlie Brown Christmas (We love dancing to this ala Snoopy and the gang. Ready? Emphatically nod your head over your left shoulder while shrugging both your shoulders and knocking your knees together. After four beats, move your chin to your other shoulder.)
  2. "Glory to God / O Come All Ye Faithful" - Todd Agnew - Do You Hear What I Hear? (L-A-M-E. A soulless supposedly soul-ful rendition.)
  3. "My Little Drum" - Vince Guaraldi Trio - A Charlie Brown Christmas
  4. "Winter Wonderland" - Steve Taylor - Now the Truth Can Be Told, Vol. 2 (This hidden gem is mariache'd for your listening pleasure.)
  5. "You're a Mean One, Mr. Grinch" - Sixpence None the Richer - Collage (Delicious!)
  6. " Oh Little Town of Bethlehem" - Bruce Cockburn - Christmas (Yes, the grumpy one did a Christmas album some 15 years ago. Unfortunately, no songs about rockets.)
  7. "Christmas for Cowboys" - Jars of Clay - Maybe This Christmas Tree (While listening to this song this morning, I just realized how similar they are - in terms of bittersweet-ness, I suppose - to Death Cab for Cutie, who is also featured in this record.)
  8. "This Is All I Have to Give" - Todd Agnew - Do You See What I See (A good song from Mr. Agnew about the birth of Christ is called "No Room / O Little Town of Bethlehem". This is a really bad, theologically-incorrect, cheesy song about the birth of Christ. I'm sure the Christian music stations are playing the death out of it.)
  9. "In Like a Lion (Always Winter)" - Relient K - Apathetic EP (Not their cheeriest [btw, their Deck the Halls, Bruise Your Hand is a Christmas CD and is more goofily upbeat]; it's a Ben Folds-ian ballad inspired by Narnia during the White Witch's rule. I like to think.)
  10. "Come On! Let's Boogey to the Elf Dance!" - Sufjan Stevens - Sufjan Stevens: Songs for Christmas

Sunday, December 03, 2006

Sunday Random 20

Another Sunday, another questionable Bears game.

  • "Phone Conversation Interlude" - L.A. Symphony. It's an interlude. 'Nuff said.
  • "Worldwide" - Adam Again. One of my favorite songs from my favorite album of all time (scroll down), which I've bought several copies of. Starting with an acoustic intro and moving into full-on rock mode, and invoking the brutal killing of a Ladysmith Black Mambazo founder, Gene Eugene ponders a heartless world and, more importantly, a passive church: "Don't think I'll ever understand it / Don't think it matters if I do / 3 billion people in the world and I only know a few... But we all love that desert thunder / we put some stickers on our bumper / 3 billion nothings in the world and I only know a few... What about Headman Shabalala, does anybody care about justice / 3 billion people in the world and his Spirit weeps for all of us."
  • "Monkeys at the Zoo" - Charlie Peacock (and Mike Roe). I've also talked about this record before. I keep wanting to think that it's a counterpart to The Choir's "Yellow-Haired Monkeys", about playing around with your kids, but Peacock's kids were all grown up by the time he wrote this. "If you were to dig deep in my soul / would you find Jesus / or a gaping hole... Getting kinda stuffy in here ... like monkeys in a zoo."
  • "Symphony No. 29 in A Major, KV 201: Allegro moderato" - Alexander von Pitamic & Camerata Labacensis. Amadeus, Amadeus!
  • "Karma Police" - Radiohead. By my estimation, their best record to date. I love the cross between experimentation (which wasn't happening so much before this record) and accessibility. And, it rocks.
  • "I Don't Make It" - Deepspace 5. A story about a young, mature girl and her relationship with her parents after they find out she has cancer: "If I don't make it / I don't to cause you sorrow / please believe me, all we're promised's tomorrow / all we have to build on is yesterday / let's live for today... I don't want it all on me / trying my hardest not to cause you grief / trying to see the beauty in a fallen leaf."
  • "We Can Work It Out" - The Beatles. And they did it!
  • "How Long" - Ladysmith Black Mambazo. Because we can't talk about my music collection without referencing them twice!
  • "I Want Candy" - Bow Wow Wow. "Candy on the beach / there's nothing better." It melts, silly.
  • "City Scaping" - Deepspace 5. Hip-hop cocking about renewing your mind. A familiar theme for this collective.
  • "Mr. Brownstone" - Guns N' Roses. I love three songs on Appetite for Destruction. I hate the rest. "Brownstone" is representative of the rest.
  • "Hot Soft Light" - The Hold Steady. I don't get the hype around this band.
  • "A New Family" - Colour Revolt. The New Living Colour? Maybe. I wish. Mopey music needs The Cure.
  • "Terrible Mystery" - The Choir. From O How the Mighty Have Fallen. Which is funny, because this is actually a good album, though not nearly as good, methinks, as Circle Slide. The Choir excels in ethereal poetry-driven pop.
  • "The Boogie Monster" - Gnarls Barkley. I'm getting sick and tired of talking about this record and band. If you don't own it yet, too bad on you. This song is about, oh, check out the "I Want Candy" quote above. Only much more gross.
  • "Easy to Ignore" - Sixpence None the Richer. Their self-titled record was a work of melancholy and beautiful genius. Too bad all most people know of it is that poppy overplayed pre-teen fantasy movie soundtrack song, "Kiss Me". I guess they were right, they are easy to ignore. Too bad. Listen to the whole album as a cycle and light a candle.
  • "Insult Like the Truth" - Charlie Peacock (and Friends ). "I run my ship aground on the sea of self-control... There's no fever like desire... There's no killer like convenience... There's no gunshot like conviction... There's no insult like the truth /There's no cancer like ambition / There's no cure like crucifixion. "
  • "With the Tired Eyes of Faith" - Swirling Eddies. The Eddies were a sarcastic side-project of Christian "bad boy" Terry S. Taylor (also of Daniel Amos and the Lost Dogs) and assorted friends, some who played with other genius underground CCM bands that CCM didn't want to know existed (i.e., The Choir and Adam Again). Unlike most of their repetoire though, "Eyes" is a thoroughly sincere song that seems penned from Taylor's seeming mentor, Fredrick Buechner. "Glorious dregs" indeed.
  • "Lover, You Should've Come Over" - Jeff Buckley. Late to this one's bandwagon, I know. But a great singer-songwriter. Voice is something else - but not in the same way that Dylan's or Tom Waits' are.
  • "Doing Time" - MxPx. I remember being informed that it's not pronounced M-X-P-X, but M-P, the x's standing in for periods. I don't much care. But I'm starting to like these post-punk rawkers, as a type of early-era Beach Boys for the 90s teenager, singing about girls and angst, and ocassionally God. It's a minute and a half teenager in suburbia pop song.
  • "Beautiful Day" - U2. Let it be known that I don't care much for any U2 in the new millenium.
  • "Unsuccessful Dutch Missionary / Big Guns" - Swirling Eddies. So, a Dutch missionary goes into a remote village and tells the natives, in English, that he has "crossed the great waters and come in peace, Kimosabe". The next and final sound heard is a 'woosh' ending with a 'twanggg'. And then "Big Guns" begins. It was written in the height of televangelism and Cold War Reagonomics Against Heathenism. It could have been written now. "The dogs of war / drop a bomb on the White House lawn... We're gonna shed some blood / and spread the light / when we bring home the big guns tonight."

Wednesday, November 29, 2006

Good Grief

On Christ the solid Rock-O I stand!
The Italian Stallion as the Man of Sorrows? Really?

Tuesday, November 28, 2006

Readings

  • Last week, the online arm of Book & Culture magazine released a critical eye toward Sufjan Stevens. I, maybe tired a bit, thought it a bit lame, saying that his musical vocabulary is too stilted and short. I rarely give voice to this, thinking it a bit shameful to suggest such things, but methinks I smell some haters in the midst. Although, in my book, they get big-ups for mentioning old favorites of mine, Freedom of Soul. I subtract some more points for the obvious mix-up of styles, comparing them to a CCM version of Run-DMC. De La Soul would be a bit more obvious, don't you think?
  • This week, B&C published an essay contrasting Lester Bangs to the pretenders to his throne - yes, a familiar theme - and then comparing him to the great Catholic intellect, John Paul II. I liked this article much better.
  • I think Bangs would make some good essay reading. More on my essay readings later.
  • Say what you have to about Kramerica, but that Neo-Nazi Pee Wee Hermania he dropped on that little audience in a comedy club in LA (and, via the wonders of modern Razrs, through the US) is good fodder for teaching my students the destructiveness of language unchecked (which is too often what it is within earshot). Now, if I could only learn how to teach instant karma... Or higher critical thinking.

Amazing Grace; Amazing Face

Youth Specialties pulled the article after the first week. It was too controversial, they said, and people (most likely Evangelical youth pastors) found it confounding and probably a bit heretical. Youth Specialties also insisted that they found the same article, by Tony Campolo progeny Bart, to be important and that they believed the article had many good points and would be a bit of a flamethrower for good conversation.

Campolo's article found him decrying a God of judgment, a God that would allow little girls to get raped in a heartless world and then walk away from him and his silence. Campolo was attacking (as he often is found in attacking mode - which is nice to hear every once in a while in a sometimes tepid environment of grassroots white American Evangelicalism - as opposed to, say, Pat Robertson's or James Dobson's attack-mode mass media frenzy) a God who would be silent in such excruciating circumstances, and a people and a theology that would defend such a God. God, in his estimation, cannot be simultaneously all-loving and all-powerful.

Reverend Carlton Pearson (the popular mentor of Bishop T. D. Jakes and "Black son" of Oral Roberts) was sitting in his dining room, watching the news on his large tv with his well-fed daughter on his lap, pondering much the same thing while they showed images of ravished and starving children in Africa. He was also angry at this God. This time, God directly spoke back, the This American Life episode featuring Pearson revealed. God spoke to Pearson and opened his eyes to the fact that Hell is man-made, that humanity was creating the hell of experience in such places as the geographical Rwanda and the just-as-real depths of universal and pervasive loneliness.

They have both come to a similar result, a similar end to a similar plight. The God of judgment is a fake God, a God they will not and cannot believe in any longer. And with that Eternal God of condemnation goes the God of eternal damnation. Hell, to both Carlton Pearson and Bart Campolo, does not exist, except in the hearts, minds and experiences of people while on earth. We have done injustice to God, they both insist, by scaring people to heaven. God must be real, but not the God who would condemn people to hell. Jesus came, they point out, to save the whole world. Add to this universalism Campolo's Open Theology, the idea that God exists fully on our plane of time and can not see (or chooses not to see) the future anymore than you or I.

I could see why Evangelical's feathers were rankled. I felt sorrow reading and listening to both men's reports (although I would fall short of condemning either men to hell). My wife dismissed both as pure rubbish. She's dismissed lesser claims as heresy, as blaspheming against the Holy Spirit.

However, my wife and I read and listen a lot to Bishop N. T. Wright, the New Testament scholar. Much like the aforementioned, he de-emphasizes Heaven and Hell to speak about life in the present. Unlike the other two, however, he doesn’t seem to sidestep this image of God. Though neither does he fit the mold of the fire-and-brimstone Jonathan Edwards-type of theologian or church minister. Although Wright doesn't directly answer whether or not he believes in an eternal, all-consuming Hell (he seems to view it as a mystery, an important mystery surely, but not one for the present time), he does not negate it, nor the prospect of an all-powerful and all-loving God co-existing with a suffering world (mp3). Wright, much like his self-described disciple Rob Bell (the popular preacher and founder of Mars Hill Bible Church), believes that the Church of God - through the power of the resurrection of Jesus and the infused power of the living and active Holy Spirit - needs to deliver people from their personal and collective hells-on-earth. To speak and live the resurrection life.

To all this we must add the voice of one more prophet of our age, the great Pigeon John. In an update of "It's the End of the World (And I Feel Fine)" song popularized by REM (among many others), "As We Know It" finds John confronting a "black man on a white horse" who comes down to earth and "look(s) like Avril and Bill Cosby mixed together." Among terrifying pleas and cries, John faces down Jesus in a seemingly irreverential and accusatory, hurtful voice asks:

What up, Jesus, what up my nickel, my man, can I ask you a couple a questions about the whole danged plan? Why the Holocaust, why the slavery, why the Crusades in the name of bravery? Why you let little girls get molested?... If the fall of Adam and Eve is all it took to leave the whole human race lost and shook, that don't make sense, it don't feel right! But I can see your whole face in the moonlight. Dang you look crazy, you make a n**** wanna cry. Looks like you hold the whole ocean in your eye. Are you crying too?...

I'm freaking mad at you... Why ain't you talking? Why don't you answer me?...

Every step you take is a freaking tragedy!...

In his last verse, after the world is taken up and Pigeon John finds himself flying over the clouds, PJ continues to question, only in a softer, sing-songy style,

What up, Jesus? What up my nickel my man? Can I ask you a couple questions about the whole danged plan? Without an answer, you stretch out your hand with the look in your eyes that you understand all the pain, all the loss, all the confusion, all the ups and the downs are now amusing. And I spent all my life rushing and hustling when I could've just been your friend. We're drinking coffee in the sun, the old and young... and it's ok now.

God is often silent when we don't want him to be (witness Job) and much more in-tune with our frustrations and failures than we are (remember, if nothing else, the incarnation?). It seems that often when we do confront the harder questions, we have to re-configure all of truth, instead of letting truth re-configure us. Pigeon John says in one three-and-a-half minute rap-pop song what I wish preachers (of any stripe) would say.

Sunday, November 26, 2006

Night Time Is the Right Time

She hasn't been getting much sleep recently. That's largely due to the fact tat she' pregnant, of course, and the physical and emotional anxieties that allay themselves to the early stages of pregnancy. (Pause. Why, thank you, thank you. Yes, I am very much happy.) But, of course, when the wife doesn't sleep well, neither does the husband.

I often wonder what it will be like in the future. If long-married husbands and wives are so used to the rhythms of each other sleeping that they are more in-tune and therefore able to sleep through the irregularities or sleep less because of them. I doubt I could sleep less.

So, during the week, neither of us slept much. The nights are longer here in Chicago, of course, than the days. And yet there doesn't seem to be much time in either. The constant tick-tick of the alarm clocks is perplexing to the sleep-deprived. Those of us who are familiar with this world live in constant fear that the world will, indeed, pass us by. We also wonder how the rest of the world lives on and enjoys their rest while we - alas - suffer the curse of the undead.


Thanksgiving Day was difficult for us. The whole tryptophan thing was beyond difficult for us, already struggling in the area of lack of sleep. If we knew - mentally - we had to sleep, our bodies took some convincing. The turkey juice not only convinced our entire bodies, it kept us paralyzed in a state of perpetual lack-of-stretchiness. This is a great thing if we were at home and could practice our own good manners however we so danged pleased.

If only 'if' were 'because'.

There's a few things I do know. When the Bears lose, I don't sleep well. When I'm suffered by my students, bosses or peers, I don't sleep well. When I worry about not sleeping well, I don't sleep well. When my wife's need to cuddle me exceeds my breathing capacity, I don't sleep well. When I worry that I've offended my wife and she may want to sleep somewhere else, I don't sleep well. On the occasional nights where she has slept elsewhere, or in the same bed, but separated by the width of a cold shoulder, I don’t sleep well.

But as someone who jealously guards his sleep (and dreads going back to school for that very reason), I wonder how I’ll feel when the newest member of our family invades that sacred ground. I have some friends who have two little girls that they are raising under the philosophy that the children should follow the parents’ schedule rather than the popularized other way around. My wife and I, of course, like this philosophy and – although I’ve not confirmed this with her – both agree that the alternative is a hollow philosophy, a type of sophism run amok among mothers, fathers and Dr. Spock alike.

With the exception of the weekends, night time is the only time to actually see the love of my life, much less speak to her. Often, in embracing and trying to forget our harshly-lighted days, we fall asleep on one of our couches. After a short reading from the Bible, we clock out at about nine o’clock. At six we slowly rise and head-on to our morning routines, neither wanting to free ourselves from the inertia of the warm bed into the cold, uninviting world of the bathroom and, ever more reluctantly, into the cold world of the Near North and Downtown areas of the Town of Chi. It’s in this world that I run successively slower and slower to meet my co-worker who has, out of the generosity of her heart and a faint promise of five dollars a week (both growing fainter by the moment) .

I also wonder how much of our talk, and how early in his or her developmental stages, affects the baby jasdye. We know that worry, bad health, positive energy, nutrition, etc., affect the pre-born. But to what degree does interacting with the child before birth impact the child? Or are the mental benefits largely given to the parents? Is it largely just me who would benefit from talking into an imaginary tube in my wife’s belly button to the same imagined baby bounding for joy?

Which reminds me of the biblical scene (shortly before the Magnificat) where the baby inside Elizabeth (John the Baptist) leapt for joy upon hearing Mary’s voice. I wonder how many sleepless nights Mary, heretofore known as The Virgin, must have had upon waiting for the arrival of that miraculous child. She had to worry about her reputation. Her fiancé, Joseph, in fact, worried about his and her reputation. He only kept the woman and baby under strict orders from a shiny man. Mary was known to “ponder… in her heart.” I wonder how often she tossed and turned – or lay silent and still – in bed, concerned about the activities of her saintly, prophetic, but rebellious son. I wonder if she slept the night after they laid him in the tomb; or the night before she rose early to give him his proper burial. I wonder how much sleep she got after realizing that her son was the “firstborn from among the dead,” as one of her son’s later followers would put it.

Something tells me she got quite a bit.

Life is over

I know it's only the Bears' second loss of the season, and it's against a proven champion, one from the other conference. But still...


This just doesn't bode well for our Super Bowl dreams.

Rex, we love; we hate you. We love you.